But it remains well below the average of 75 percent before the pandemic. “We have to keep opera and the art form as exciting and as dynamic as we possibly can.”Īttendance so far this season has been better than expected, hovering around 64 percent. “The one thing that the Met cannot afford to do is to sit back and hope people will come to us,” Peter Gelb, the company’s general manager, said in an interview. ![]() The need to draw audiences has grown only more urgent during the pandemic, which shut the company for 18 months and cost $150 million in anticipated revenue.
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